SMITH COMMONS Will Be One of The SALTA BLOSS Featured Venues Housing Artists

We are extremely excited to announce that Smith Commons will be one of the featured venues housing artists this year at the upcoming SALTA BLOSS Art & Music event happening this Saturday March 28th. 

Smith Commons Dining Room & Public House is a three-story neighborhood bistro on the H St. NE corridor in the Atlas Arts District. With an international menu of approachable cuisine, and an array of craft beers, wines and cocktails at three bars, Smith Commons offers something for every palate. The well-honed interiors, seasonal outdoor patios, regular exciting events and eclectic music welcome Smiths of any name, and friends nightly.

Aside from their food and atmosphere, one of Smith Commons stand out factors is its three story tall mural done by well known street artists GAIA. It is a true tip of the hat to H streets artistic foundation and the integrity Salta Bloss and its artists involved are preserving.

Other artists featured at Smith Commons for Salta Bloss are live abstract painter, Brite Idiot, mix media artist Ariane Gresson, as well as sculpurist, Rey Quinn Starofoam Art. 

Smith Commons will also feature a Cuervo cocktail and specilaty food item for the event and will represent one of 6 venues featured at DC's inaugural SALTA BLOSS Art & Music event happening Saturday March 28th from 4pm-9pm in the H street North East neighborhood of the Atlas District. Using the areas historic backdrop, 6 of the neighborhoods venues will feature handpicked artists and artist collectives from both DC and NYC to exhibit a combination of visual art, installations and live painting throughout the entire day. Each venue will also include family oriented events from 4pm-9pm with live musicians, DJ’s and members of the culinary arts showcasing signature food and drink items served by guest celebrity chefs and mixologists. For more info and daily updates on SALTA BLOSS check HERE.

THE FRIDGE Art Gallery & Artist Collective Will Be One Of The SALTA BLOSS Featured Artists

We are extremely excited to announce that The Fridge Art Gallery & Artist Collective will be one of the featured artist groups at the upcoming SALTA BLOSS Art & Music event happening this Saturday March 28th. 

The Fridge DC is an art gallery, performance space, music venue and classroom located on Barracks Row in the historic Eastern Market neighborhood of Washington, DC that opened their doors in 2009. Dedicated to making the arts accessible to everyone, The Fridge foster community dialogue by serving as a creative lab for expression through 

art. The Fridges primarily focused on street art from emerging and established artists, but their space is designed to be flexible for all artistic disciplines, and, as such, they host performers, musicians, dancers and more. They've invested in showing a wide range of creative disciplines – magicians, performance artists, hip hop, blues folk and rock concerts, comedians, acrobatics and sideshows. 

The Fridge Art Gallery will provide art from their gallery to be placed throughout The Lodge at RedRocks. The Fridge will represent one of 6 artists/artist collectives featured at DC's inaugural SALTA BLOSS Art & Music event happening Saturday March 28th from 4pm-9pm in the H street North East neighborhood of the Atlas District. Using the areas historic backdrop, 6 of the neighborhoods venues will feature handpicked artists and artist collectives from both DC and NYC to exhibit a combination of visual art, installations and live painting throughout the entire day. Each venue will also include family oriented events from 4pm-9pm with live musicians, DJ’s and members of the culinary arts showcasing signature food and drink items served by guest celebrity chefs and mixologists. For more info and daily updates on SALTA BLOSS check HERE.

Two Crazy Visions of the National Mall in 2050

The Mall gets a much-needed overhaul.

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In 2003, Congress declared the Mall “a substantially completed work of civic art.” So when the National Museum of African American History and Culture opens next year, that’s it: no new monuments or museums on the Mall’s main stretch. One reason is the woeful condition of the grounds. Trodden by more than 25 million visitors a year and lacking basic amenities, they need both TLC and updating. Three areas will get major overhauls by 2050—provided private donors are found to help cover several billion dollars’ worth of costs.

The Castle would still be a visitor center, but BIG would expand it underground and bathe it in daylight from above. The firm also proposes an underground extension at the Hirshhorn Museum and Sculpture Garden and would lower the walls that appear to cut it off from its neighbors.

The aboveground entrances for the Arthur M. Sackler Gallery and the National Museum of African Art would be removed, and the new courtyard would peel up at the corners like a giant sticker, forming angled glass entrances pouring natural light into the exhibit spaces below.

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It couldn’t be more different from the Enid A. Haupt Garden, installed in 1987, which many Washingtonians love. Still, the glass “moat” around the new green would better link it to the museums below, and entrances would be more visible. The plan must go through federal reviews.

2. The West Mall

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Constitution Gardens, just north of the Reflecting Pool, is known for its crumbling sidewalks and stagnant lake, but a rehabilitation gets under way this summer when the nonprofit Trust for the National Mall begins the first of several improvements led by Rogers Partners and PWP Landscape Architecture. The Trust also hopes to rebuild Sylvan Grove, the land to the south of the Washington Monument, with a striking plan by the design firms Olin and Weiss/Manfredi.

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By 2050, if not well before, the gardens should be a popular destination for walks, picnics, and ice skating—assuming the Trust can raise the $159 million it needs.

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The open, lattice-like pavilion of the gardens, which will include a restaurant, is designed to sit lightly on the ground and frame views.

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The Trust will bring the lake back to ecological health, putting a wetland around its perimeter to help clean the water, and will build a 160-foot-long pavilion at the east end. The project has received unanimous approval from the two federal bodies that weigh all proposed changes to the Mall.

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Southeast of Constitution Gardens, the Trust plans to reshape land near the Washington Monument by replacing the wooded Sylvan Theater with a sculpted-earth amphitheater and possibly adding a footbridge to the Tidal Basin. There are still a lot of ifs with this $100-million project: It has yet to go before regulatory boards, and the Trust hasn’t started fundraising.

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Renderings of East Mall courtesy of the Smithsonian. West Mall renderings courtesy of Hausman.

Source: http://www.washingtonian.com/blogs/capital...

Jourdan Betette & Sophie McTear Will Be Two Of This Years SALTA BLOSS Featured Artists

We are extremely excited to announce that  Jourdan Betette and Sophie McTear will be two of the featured artists at the upcoming SALTA BLOSS Art & Music event happening Saturday March 28th. 

Jourdan Betette is Magickbat Designs, an artist + graphic designer planted on the east coast from her native Californian homeland.  Since 2012 she’s created show posters in collaboration with Sasha Lord Presents at Comet Ping Pong and recently had her debut art show at Wild Hand Workspace. She selectively freelances 

design and does illustration for various music + arts related entities and is a founding member of PVLP magazine, which is premiering Summer 2015.  Jourdan is the mama + wife of a radical rock and roll family living in Alexandria, VA.

Sophie McTear was born in Baltimore, Maryland in 1995. She is currently attending the
George Washington University and is expecting to graduate in 2017. She is the Design Editor of the GW Hatchet, an independently student-run newspaper. Her posters have been featured at local shows run by booking agent Sasha Lord Presents,

independently student-run newspaper. Her posters have been featured at local shows run by booking agent Sasha Lord Presents, and in association with Magick Bat Designs. She is inspired by the convergence of dark and light themes, streetart, and anything supernatural. Sophie lives and works in Washington, D.C. She runs her own freelance company, Sophie McTear Design.

Both Jourdan Betette and Sophie McTear will be two of the artists/artist collectives featured at DC's inaugural SALTA BLOSS Art & Music event happening Saturday March 28th from 4pm-9pm in the H street North East neighborhood of the Atlas District. Using the areas historic backdrop, 6 of the neighborhoods venues will feature handpicked artists and artist collectives from both DC and NYC to exhibit a combination of visual art, installations and live painting throughout the entire day. Each venue will also include family oriented events from 4pm-9pm with live musicians, DJ’s and members of the culinary arts showcasing signature food and drink items served by guest celebrity chefs and mixologists.

Of the six venues in volved in Salta Bloss, Jourdan & Sophie's work will be on display at The Rock & Roll Hotel from 4pm-9pm on the evening of the 28th. A direct event link to RNR's aspect of the event is HERE. For additional info and daily updates on SALTA BLOSS check HERE.

Modern-Day 'Scarface' Remake Set in Los Angeles Gets Green Light

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Perhaps the bloodiest rags-to-riches story in cinema history, the saga of Scarface has twice been shown on the silver screen, first with Paul Muni in the role of the criminally savvy immigrant shooting his way to the American Dream, then 50 years later with Al Pacino portraying Tony Montana in the classic Brian De Palma-directed, Oliver Stone-penned version. Now, Universal has announced plans to bring the Scarface story to modern times with a new film penned by Straight Outta Compton screenwriter Jonathan Herman, The Hollywood Reporter writes.

Director Pablo Larraín, fresh off winning the Berlin International Film Festival's Jury Grand Prix for his film The Club, will helm the remake, which will transplant the story to the present-day criminal underworld of Los Angeles (the 1932 and 1983 versions took place in Chicago and Miami, respectively). The project had long been in the works at Universal – Training Day and End of Watch writer David Ayer reportedly submitted a script at one point – but Herman's participation jumpstarted the remake.

The movie has inspired a parade of similar anti-heroes in movies and television, including The Sopranos' Tony Soprano and Boardwalk Empire's Nucky Thompson. In an interview with Rolling StoneBreaking Badcreator Vince Gilligan often compared Walter White to the gangster made famous by Pacino. "I like to picture viewers losing sympathy for Walt. With every episode, yet another viewer or two is saying, 'You know, I'm not with this guy anymore. I'm watching him, but I'm not sympathizing,'" Gilligan said. "This is a guy moving along a continuum toward ultimately becoming Scarface." 


 
Source: http://www.rollingstone.com/movies/news/mo...

THE NEXT CHAPTER IN THE DC STREETCAR FIASCO

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Transit Union says workers illegally fired, Call for a WMATA takeover of Streetcar


Washington, DC – In addition to the many woes and missteps that have led to questions about its viability, DC Streetcar now stands accused of illegally firing a third of employees in retaliation for union organizing says the Amalgamated Transit Union (ATU) who called on WMATA to takeover the beleaguered DC Streetcar.

Joint Streetcar employers RATP Dev. McDonald Transit, and The Midtown Group interfered with their workers’ legal rights through actions that included a mass firing of 7 employees involved in a union organizing drive at the agency.

“Not only have the Streetcar managers failed in almost every aspect of the development of this new system, but they want to muzzle any criticism by their employees whose wages and benefits they seek to suppress,” says ATU International President Larry Hanley. “The managers should be fired not the workers who are trying to make an impossible project work.

“The Streetcar has been misbegotten from the beginning from the former and current mayors’ and DDOT’s refusal to listen to workers, riders, and the public, through the difficulty they have now in establishing safe and reliable service on the shortest route in the city,” Hanley continued. “Our city and the Mayor should not support an outsourcing model that impoverishes workers and continues the shenanigans of wasting taxpayer dollars.” 

The charge is contained in an unfair labor practice complaint submitted to the National Labor Relations Board (NLRB) by the Amalgamated Transit Union (ATU).

A March 10 election that would have given Streetcar employees the opportunity to accept or reject ATU membership has been postponed until the NLRB completes its investigation of the mass firings.

 “Even without the breathtaking incompetence displayed by its management, DC Streetcar robs the city of funding that should go toward the real transportation needs of District residents who rely on buses and Metro each and every day,” Hanley continued.  

ATU supports the DC government’s current re-evaluation of the entire project, and urges it to put the actual needs of area transit users ahead of a “boutique” streetcar project that duplicates better service already in place.

“ATU calls on Mayor Bowser to fire these rogue employers and have WMATA takeover the project and bargain a fair contract so these workers can earn a decent living to provide for their families and make this streetcar work,” Hanley said.

Source: http://www.atu.org/media/releases/the-next...

Salta Bloss; H Street’s first family-oriented Arts & Music Event

The Joodlum Group announces Salta Bloss;
H Street’s first family-oriented Arts & Music Event 

Date: March 17, 2015 
Contact: thejoodlumgroup@gmail.com

For Immediate Release (Washington DC)  On Saturday March 28, 2015, coinciding with the annual celebration of DC’s Cherry Blossom Festival, the Atlas District will experience its inaugural year of the family-oriented multi-venue celebration and exhibition of the arts entitled, Salta Bloss. Curated by DC’s The Joodlum Group, Salta Bloss will feature hand-picked artists and artist collectives from both DC and NYC to exhibit a combination of visual art, installations and live painting throughout the entire day. 

Using the areas historic backdrop, six of the neighborhood’s restaurants and bars will host events including Sticky Rice, The Lodge at Red Rocks, Impala Cantina, Toki Underground, Rock & Roll Hotel & more. From 4pm-10pm the venues along the H Street corridor will host family oriented events with live musicians, DJ’s and members of the culinary arts showcasing signature food tems served by guest celebrity chefs while guest mixologists serve specialty cocktails from the Proximo brands.  

Of the six venues, Rock & Roll Hotel will feature Live music from Grammy nominated artist Kokayi, Redline Graffiti, Hatfield McCoy, Magnetar Flares as well as visual art from the "Sasha Lord Presents" poster makers, Jourdan Betette & Sophie McTear. All ages are welcome. The first floor live band room will include a $12 ticket price. However, their 2nd floor exhibiting the art and a featured dance party from DJ Avervge & Jon Sun B will be free. Featured Three Olives Cocktail will also be served throughout the day on both floors.  Dedicated RNR Hotel event link HERE. 

The Lodge at Red Rocks will feature a rooftop styled day party from 4pm-9pm, co-promoted by Lil So So Productions with DJ's Miss H.E.R. & Trevor Martin, while the evening hours of 9pm-close will serve as the Salta Bloss official close out party, featuring DJ's Sammy Needlz (Shade45 Sirius XM/NYC), Ozker (Blisspop), Sharkey, as well as world famous rapper, Jarobi of A Tribe Called Quest hosting and serving as the evenings MC. Visual art for The Lodge will be provided by Capitol Hill Art gallery, The Fridge. Featured Tincup Whiskey cocktail made by Jason-Aaron Smith (Osteria Morini). The entire day at The Lodge is free to enter. However, late night hours are 21 & over. Dedicated RNR Hotel event link HERE. 

According to Sharkey, Creative Director of The Joodlum Group, “The words Salta and Bloss are derived from the meaning upward and growth. Both key words for an event focused on creativity in an area where its community and businesses have been labeled one of the fastest growing and most successful neighborhoods in the city’s history.”  

More info on the other venues and events participating in Salta Bloss to be announced this week. 

facebook.com/SaltaBloss     twitter.com/SaltaBloss        IG: SaltaBloss

VOLUNTEERS NEEDED: If you would like to volunteer or receive community service hours  please contact thejoodlumgroup@gmail.com

Iced Coffee

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As the weather finally takes a slow turn for the warmer I have found myself ready to trade steaming cups of morning coffee for the cooling, caffeinated pleasure of iced coffee. But while I may have previously considered myself an amateur coffee aficionado, only recently did I discover that not all iced coffee is created equal – and it often has more to do with technique than it does with beans. According to J. Park Brannen, the 2014 Northeast Regional Barista Champion and a sales rep and educator at Counter Culture Coffee, most commercial coffee shops use one of three different methods of brewing iced coffee, each of which has its advantages for the consumer or company and produces decidedly different results.

We visited Brannen at Counter Culture's training center to learn more about each of these three methods and put them to the test and see if we could reach a conclusion about which method is best.

The Slow Cool Method

Who Uses It?

The most common method of making iced coffee is employed by such large chains such as Dunkin' Donuts, Starbucks, and McDonald's.

How Does It Work?

Probably the simplest method of the three—simply brew hot coffee, let it cool naturally and add ice. Brannen has casually dubbed this "The Slow Cool Method," but I like to alternatively call it "The 'Shit, I Forgot I Made Coffee And Now It's Room Temperature' Method."

What Does It Taste Like?

To demonstrate this method, we used Counter Culture's Idido, a single origin coffee named after the village in Yrgacheffe, Ethiopia, from which the beans come. When prepared properly, Idido is bright and delicious with big notes of melon, orange blossom, and citrus. When left out for a few hours and then iced, it tastes of all those things – if they were wrung from a wet newspaper.

This method exposes the coffee to the open air for the longest amount of time causing oxidation. Exposure to oxygen is actually what causes your coffee to get stale—the electrons of oxygen transfer to the molecules of the delightful oils and proteins in the coffee, forming new compounds that result in rancid off-flavors. But all you really need to know is that when compared to the methods below, over-oxidized coffee tastes – quite honestly – like crap.

Cold Brew Method

Who Uses It?

Boutique coffee roasters like as Blue Bottle and Stumptown, as well as brewer-bottlers such as Grady's and Chameleon who pre-package cold brew concentrate to sell in gourmet markets such as Whole Foods.

How Does It Work?

As Brannen describes it, "cold brewing is a process in which you add room temperature water to coarsely ground coffee, and let it steep from six to 24 hours. Then there are a variety of methods by which you can strain it, to separate the liquid from the grounds." What you are left with is coffee concentrate, which you dilute with cold water to taste. While not particularly labor-intensive, making cold brew generally requires special equipment like a Toddy brewer.

What Does It Taste Like?

We tested this method with Counter Culture's Hologram, a year-round blend of Peruvian and Ethiopian beans with a fruit-forward and chocolaty taste. The extract alone tasted too intense, but diluting it a bit allowed us to parse out the flavors. The main advantage of the cold brew method according to Brannen is that it is impossible to over-extract. “You're never gonna get a lot of harsh, bitter flavors [from cold brew]."

One potential downside to the method, depending on your taste, is that cold brewing magnifies the chocolate tastes in a coffee tenfold. That leaves most cold brews with a similar flavor profile regardless of which beans are used. But if you want a chocolaty cup of coffee cold brew is for you.

Japanese Method 

Who Uses It?

The people of Japan, Counter Culture Coffee, and, once you read what's below, YOU.

How Does It Work?

The barista adds ice to whatever carafe he is brewing into and then filters hot coffee directly on to the ice. The process simultaneously cools the concentrated liquid and adds the remaining amount of water necessary. The golden ratio for perfectly brewed coffee is 60 grams of coffee per liter of water. So to make iced coffee Brannen divides his water evenly between liquid and solid—500 ml of hot water and 500 grams of ice. He also recommends using small pebble ice or crushed ice when brewing (the increased surface area will bring the solution down to temperature quickly) but serving the coffee on larger block ice (to avoid excessive melting and further dilution).

What Does It Taste Like?

As with the slow cool method we brewed with Idido, but instead of an oxidized newspaper taste, we quickly picked up on the delicate brew’s herbal – almost tea-like – quality, as well light citrus and lemon notes. It was easily the most flavorful cup we had that day.

"I prefer [this method] because…hot water extracts solubles from the ground coffee material more thoroughly than cold water does," said Brannen. "It's much more telling of origin and of terroir than the cold brewing method, which homogenizes most of the flavor."

The Verdict

With the Japanese method, one can bypass brewing and cooling, or steeping and steeping, and ice their coffee in under four minutes. Does that mean it's the fastest way to make iced coffee? "Yeah," Brannen says with a shrug. "I feel comfortable saying that."

After getting a crash course in iced coffee, I think the choice for the home brewer is a no-brainer. Don't let a little extra frozen water scare you off from brewing the tastiest iced coffee you'll ever have in your life.

Source: http://www.foodandwine.com/fwx/drink/are-y...

Magnificent modern manifesto for the everyday art of noticing in a culture that rips the soul asunder

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“How we spend our days, of course, is how we spend our lives,” Annie Dillard wrote in her magnificent defense of living with presence. But in our age of productivity, we spend our days running away from boredom, never mind its creative and spiritual benefits, and toward maximum efficiency. Under the tyranny of multitasking, the unitasking necessary for the art of noticing has been exiled from our daily lives. And yet, as we grow increasingly disillusioned with the notion of “work/life balance,”something in our modern souls is aching for the resuscitation of this dying capacity for presence. That capacity is especially essential in parenting, where the cultural trope of the device-distracted parent is an increasingly disquieting pandemic.

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Half a century after Ruth Krauss wrote, and Maurice Sendak illustrated, one of the loveliest lines in the history of children’s books — “Everybody should be quiet near a little stream and listen.” — poet JonArno Lawson and illustrator Sydney Smith team up on a  

magnificent modern manifesto for the everyday art of noticing in a culture that rips the soul asunderwith the dual demands of distraction and efficiency.

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Sidewalk Flowers (public library) tells the wordless story of a little girl on her way home with her device-distracted father, a contemporary Little Red Riding Hood walking through the urban forest. Along the way, she collects wildflowers and leaves them as silent gifts for her fellow participants in this pulsating mystery we call life — the homeless man sleeping on a park bench, the sparrow having completed its earthly hours, the neighbor’s dog and, finally, her mother’s and brothers’ hair.

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The flowers become at once an act of noticing and a gift of being noticed, a sacred bestowing of attention with which the child beckons her father’s absentee mind back to mindful presence.

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In the final scene, the little girl tucks a wildflower behind her ear, in the same gesture with which her father holds his device, and looks up to the sky — a subtle, lyrical reminder that we each have a choice in what to hold to our ear and our mind’s eye: a flower or a phone.

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Sidewalk Flowers, which is immeasurably wonderful in its analog totality, comes from Canadian independent children’s-book publisher Groundwood Books — creators of the intelligent and imaginative Once Upon a Northern NightWhat There Is Before There Is Anything There, and Morris Micklewhite and the Tangerine Dress.

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Source: http://www.brainpickings.org/2015/03/17/si...

Navy Yard Among Most Expensive Rental Areas, Report Says

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The District had the country’s fourth costliest rentals in the country last month, with Navy Yard among the top 10 most expensive rental markets in D.C.

The neighborhood categorized as “Southwest Ballpark – Navy Yard” had a median rent of $2,104 per month for a one-bedroom apartment in February, making it the ninth costliest neighborhood for rentals in D.C., according to a new report from rental website Zumper. The estimated rent there was $104 more than the city-wide median of $2,000.

Navy Yard beat out the median one-bedroom rent for “H Street – NoMa,” which was $2,089,” and for Capitol Hill, which was $1,795.

At $2,600, Georgetown has the highest median rent for one-bedroom apartments in D.C., the report by the San Francisco-based startup says. Woodridge-Fort Lincoln has the lowest, at $1,050. Overall, only Boston, New York and San Francisco have higher rents than the District.

The report came a day before the D.C. Fiscal Policy Institute released a study that shows almost half of the District’s affordable housing disappeared between 2002 and 2013. The supply of apartments that cost less than $800 per month dropped from 60,000 in 2002 to just 33,000 in 2013.

“The loss of affordable housing threatens the physical and mental health of families, makes it harder for adults to find and keep a job, creates instability for children, [making] it hard to focus at school, and leaves thousands at risk of homelessness at any given moment,” DCFPI policy analyst Wes Rivers wrote in the study.

Source: http://www.hillnow.com/2015/03/12/navy-yar...

D.C. comic books get a nudge at Smudge

 

 

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Comic books have never been as mainstream and popular as they are now. These days, it’s rare to find someone who can’t name at least one Avenger or tell you what mythical metal Wolverine’s claws are made of. But for indie publishers and small-press cartoonists who don’t have Marvel levels of fame, finding an audience can be tricky. Luckily, Smudge Expo is here to help.

Co-founded by local comic creator Matt Dembicki and event manager Tina Henry, the expo packs tables at Artisphere with the work of D.C.’s up-and-coming cartoonists, storytellers and experts. To set it apart from the Small Press Expo in Bethesda, Dembicki says he “wanted to have a show that was almost entirely local folks.”

Here are some of the exhibitors and sessions to check out Saturday at this year’s Smudge:

Comics in the classroom
1-1:50 p.m.
Four area teachers will talk about using comic books as teaching tools. One of the speakers, Wilson High School teacher Mary Ann Zehr, says she plans to discuss how she shows her English as a Second Language students
a graphic novel, then asks them to create a comic strip about a historic event of their choosing.

‘Root Hog or Die’
2-3:45 p.m.
This Kickstarter-funded documentary follows the work and life of “King-Cat Comics & Stories” creator and zine legend John Porcellino. Like his work, Porcellino is rough around the edges but funny and charming. The film tracks the comic book creator as he embarks on a nationwide art tour.

Race in comics
3-3:50 p.m.
This panel brings together three local creators and publishers to talk about the importance of including race and gender diversity in today’s comics. “I’m looking for permanence,” says panelist and Rosarium Publishing owner Bill Campbell. “It’s not like Sam Wilson’s going to stay Captain America. It’s not like Ms. Marvel will stay Arab. At any given moment, all that could go away.”

‘Cuddles and Rage’ cupcake character workshop
4-4:50 p.m.
Liz and Jimmy Reed, the married couple behind mixed-media webcomic “Cuddles and Rage,” will host a workshop to show kids how to mold scrumptious-looking sentient cupcakes out of clay. Little attendees can then pose their cupcake characters inside one of the comic’s trademark dioramas. 4-4:50 p.m.

‘Banchan in Two Pages’
All day
“I definitely want people to make actual food from my comics,” says Robin Ha, author of the Korean food webcomic and soon-to-be-published cookbook “Banchan in Two Pages.” Ha will occupy a table and exhibit sample copies of her illustrated Korean cooking guides. “By making it into a simple comic form, I want people to say, ‘Oh, this is really easy, maybe I’ll try to make it.’ ”

Artisphere, 1101 Wilson Blvd., Arlington; Sat., noon-6 p.m., free

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Source: http://www.washingtonpost.com/express/wp/2...

Vintage Nintendo manual reveals Pantone colours of iconic characters

Videogames – old and new – have provided some key inspiration for character design, environment creativity and, well, having fun when it comes to producing something beautiful. If you love design and gaming, you're going to love these pages from a vintage Nintendo Manual.

'Console Wars: Sega, Nintendo, and the Battle that Defined a Generation' is a book celebrating all things gaming by author Blake J. Harris, and these pages featured on Press the Buttons showcase the Pantone colours of iconic characters. Featuring Mario, Toad, Peach and more, it's a glorious insight into their character design.

The whole book is a business thriller of sorts, that goes behind-the-scenes of Sega, chronicling how the small, scrappy gaming company led took on the top dogs at Nintendo and revolutionised the video game industry. Take a look at some of the charming pages below:

 

 

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Source: http://www.creativebloq.com/character-desi...