Italian Restaurant, Grocery Opening This Weekend on 7th Street SE

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The Italian grocery store and small restaurant Radici is set to open near Eastern Market this weekend.

Located at 303 7th St. SE, Radici will carry high-end Italian food and organic produce. Its restaurant with 14 seats indoors and room for 34 people outside will be led by two Italian chefs, co-owner Bridget Thibodeau-Sasso said Monday.

Radici, whose name is Italian for “roots,” will sell pasta, sauces and more and have the feel of an Italian home, Thibodeau-Sasso said. She decorated its interior with hand-blown lamps from Venice and terra-cotta made by an Italian company that’s made the material for 500 years.

Thibodeau-Sasso, who lived in Italy for 13 years, said she loved that Italians enjoy communal, Thanksgiving-type meals on a regular basis.

“One thing that I believe is lacking in American culture is that there aren’t a lot of family dinners,” she said, adding that she hopes the grocery store and restaurant can bring neighbors together.

Radici will have two entrances — one on C Street SE, on the restaurant side of the business, and another on 7th Street SE, leading to the grocery store.

Thibodeau-Sasso said she opted to open the business on the Hill because the neighborhood has a “European feel.”

Radici is slated for a health inspection this week and should open Saturday or Sunday. The owners will hold a grand opening celebration next month, Thibodeau-Sasso said.

Source: http://www.hillnow.com/2014/10/21/italian-...

Lorde recruits Grace Jones, Q-Tip and Chemical Brothers for Hunger Games soundtrack

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Sole music curator of The Hunger Games: Mockingjay – Part 1 announces soundtrack for film, featuring a Kanye remix and new songs from the singer’s ‘true heroes’

 

Lorde has announced details of her soundtrack to the newest Hunger Games film, recruiting Kanye West, Grace Jones, Chemical Brothers and other “heroes” to record original songs for the movie.

Lorde, who is 17, was announced this summeras the “sole curator” of the third in what has become a lucrative series of soundtrack albums. Like the previous records, the music for The Hunger Games: Mockingjay – Part 1 brings together all-new songs from various pop, hip-hop and indie rock talents; unlike its predecessors, Lorde herself was pestering the artists to make sure they would contribute.

“It was really important to me with the soundtrack that people know how involved I was,” Lorde told Billboard. “A lot of that was me reaching out to people directly, having a conversation on the phone, sending an email, sending a text.” Lorde didn’t want acts to feel like their music was “going to be flung into some pot and chosen later … I really cared about what was happening.”

With this in mind, at least 15 of Lorde’s “true heroes” recorded songs in tribute to Katniss, Peeta and the suffering citizens of Districts 1 through 13. Several of the tracks are collaborations: Charli XCX with Duran Duran’s Simon Le Bon, the Chemical Brothers with Miguel, and Stromae’s Meltdown features Lorde, Pusha T, Q-Tim and Haim. Other contributors include Bat For Lashes, Tove Lo and Chvrches, while Kanye “reworks” Flicker.

One cut still remains mysterious: track five is “To Be Announced”, according to the official press release. But as Lorde tweeted on Wednesday, the vague details aren’t there “[for] secrecy’s sake”: the teen star, who only just completed a world tour, hasn’t “quite finished” the song.

Even without a celebrity curator, the previous Hunger Games soundtracks secured songs by top-flight artists such as Coldplay, Taylor Swift and Arcade Fire. Both reached the US billboard’s top 10.

The Hunger Games: Mockingjay — Part 1, the second-last instalment in the series, arrives in UK theatres on 20 November.

Soundtrack tracklist:

1. Meltdown – Stromae ft Lorde, Pusha T, Q-Tip & Haim
2. Dead Air – Chvrches
3. Scream My Name – Tove Lo
4. Kingdom – Charli XCX ft Simon Le Bon
5. TO BE ANNOUNCED
6. Lost Souls – Raury
7. Yellow Flicker Beat – Lorde
8. The Leap – Tinashe
9. Plan The Escape (Son Lux Cover) – Bat For Lashes
10. Original Beast – Grace Jones
11. Flicker (Kanye West Rework) – Lorde
12. Animal – XOV
13. This Is Not a Game – The Chemical Brothers ft Miguel
14. Ladder Song – Lorde

 

Source: http://www.theguardian.com/music/2014/oct/...

The Least Popular American Baby Names According to Early Records

Like a lot of people in 2013, I was entranced by this animated map of the most popular baby names for girls by state over the past 50+ years. It shows how the country shifted from Mary to Lisa before giving over completely to Jennifer, after which the Jessica/Ashley and Emily/Emma battles eventually resolved into the current dominance of Sophia. The map was created by Reuben Fischer-Baum of Deadspin using baby name data from the Social Security Administration. The SSA website gives the top 1000 boy and girl names (as reported on social security card applications) for each year from 1880 onward.

This brief historical tour of the most popular names got me curious about the least popular names. If you look at the low end of the top 1000 names for 2012, you see boys’ names like Dangelo, Foster, Jaidyn, Briggs and Davon. For girls, you see names like Katalina, Hayleigh, Sloan, Karlie, and Meadow. These names are a bit different, but not all that unusual. Even the 1000th most popular name represents a few hundred babies, or even a few thousand if added up over four or five years. However, in the early years of SSA data, the population was much smaller, so the low end of the list represents fewer babies. And there are some pretty fabulous names in there. 

I went through first 53 years of the SSA records and pulled out some of the best boy and girl names from the 900 to 1000 range for each year. Together, they make for great couples. I love imagining that among all the Johns and Marys who settled down together, Orange and Leafy (1893), or Henery and Florance (1897), or Lillian the boy and Lillyan the girl (1908) might have found each other too.

If you’re looking for a baby name and want something truly original, but with historical precedent, here’s your list:

YearBoy (Rank)Girl(Rank)

1880Handy (970)Parthenia (914)1881Okey (972)Erie (1000)1882Ab (943)Dove (944)1883Commodore (925)Lovey (992)1884Spurgeon (958)Kathern (974)1885Fount (989)Icy (977)1886Squire (953)Texie (987)1887Bliss (946)Lockie (907)1888Boss (930)Indiana (989)1889Starling (962)Easter (967)1890Lawyer (999)Pinkey (918)1891Manley (962)Chestina (974)1892Little (914)Odell (1000)1893Orange (1000)Leafy (933)1894Flem (1000)Ova (986)1895Toy (969)Sister (974)1896Josephine (937)*Clifford (935)*1897Henery (1000)Florance (1000)1898Pleasant (973)Tiny (915)1899Fate (972)Cuba (884)1900Gorge (935)Electa (948)1901Joesph (999)Buelah (923)1902Rolla (917)Bama (942)1903Ples (992)Capitola (982)1904Council (989)Pearly (993)1905Son (912)Wava (967)1906Virgle (999)Carry (971)1907Geo (956)Arizona (949)1908Lillian (992)Lilyan (991)1909Murl (1000)Flonnie (1000)1910Lemon (964)Classie (994)1911Wash (978)Lavada (806)1912Christ (940)Almeta (940)1913Louise (982)Louis (974)1914Stephan (1000)Vella (1000)1915Mayo (990)Dimple (980)1916Green (929)Golden (908)1917Elza (968)Loyce (984)1918Curley (998)Ivory (979)1919Metro (982)Louvenia (993)1920Berry (941)Merry (934)1921Reno (969)Glendora (976)1922Author (950)Gaynell (981)1923Burley (994)Dorathy (995)1924Dorman (954)Mardell (982)1925Buddie (973)Bobbye (990)1926Wardell (929)Willodean (941)1927Estel (914)Gregoria (970)1928Gust (996)Hildred (998)1929Vester (984)Jettie (953)1930Otho (972)Charlsie (951)1931Early (1000)Ferne (1000)1932Dock (928)Jack (992)

* Not an error!

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Source: http://m.mentalfloss.com/article.php?id=53...

Del Gaudio Architecture

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Description by Renée Del Gaudio Architecture

Up until a few years ago, this 4.5-acre property located in a rocky canyon above Boulder, Colorado, was a dense forest of pine and fir trees. But on Labor Day, 2010, the Four Mile Canyon fire scorched this property, and burned 169 homes in the area. When the ash had settled, what remained were granite outcrops, steep slopes, and newly revealed vistas. The barren site resembled the treeless landscape of Boulder at the turn of the century. Rediscovering the architectural language of that era, particularly the region’s mining and agricultural heritage, provided the necessary design inspiration.

While the home’s gabled roof form and rustic materials recall the area’s early vernacular, the design seeks to establish a language of its own, reflective of and specific to its current context and geographic location.

Exposed beams, rusted steel cladding, and industrial-size barn doors visually link the home to the community’s rural roots, and also create a fire-resistant, maintenance-free structure.

 

 

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Source: http://www.homeadore.com/2014/10/21/sunshi...

Crinkle-cuts are back at Shake Shack. Cue the tears of joy.

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Shake Shack's hand-cut, skin-on french fry debacle is finally over. The crinkle-cut has been restored to the menus of every Washington-area Shack.

Go on, cry a little. Do your happy dance. You're going to need the exercise.

Crinkle-cuts and cheese sauce: Pretty much perfect together at Shake Shack. (Lavanya Ramanathan/The Washington Post)

The burger chain's decision to roll out a new french fry this spring -- replacing its old-school, frozen crinkle-cut fry with a fresh, hand-cut version -- was based on fairly sound logic. But the new fry that sounded so promising on the menu was limp in practice; it couldn't hold up to the cheese sauce in the cheese fries. There was no nostalgic elementary-school-cafeteria moment. It was the exact fry that everyone seemed to be doing. And was it just us, or was it soggy?

Customers revolted. (Even our own Maura Judkis missed the old ones.)

In a hand-wringing press release issued in August, Shake Shack promised to return crinkles to all of its restaurants (this time with fewer artificial ingredients), because so many of its customers had graciously let it know that the company had made a terrible, terrible mistake.

"We didn’t fully appreciate the simple, tactile pleasure and the emotional attachment our fans have to the crispiness, the ridges and pure joy that these fries bring to guests of all ages," the statement read.

Though the statement said the crispy, salt-bomb crinkles would restored by November, you can already get them at all D.C. locations, including Dupont Circle, Union Station and Tysons Corner. They were rolled out quietly over the past month.

Trust us, order them with the cheese.

Source: http://www.washingtonpost.com/blogs/going-...

Blue Line Trains Won't Run On Veteran's Day Because Of The Boss

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Blue Line trains won't run on Veteran's Day as Metro attempts to deal with thousands of passengers attending the free Concert for Valor. Blame the Boss, people. 

Up to 800,000 people will be permitted to attend the concert on the National Mall, which will feature Bruce Springsteen, Meryl Streep, Rihanna and John Oliver. Metrorail will run enhanced Saturday service, and the Smithsonian Metro station will be closed. Blue Line riders in Maryland may use Silver Line trains to get downtown.

"All Blue Line service will be replaced with additional Yellow Line service running between Franconia-Springfield and Greenbelt," Metro said in a board presentation. "This service change provides a faster, direct (transfer-free) trip to the Mall for thousands of Virginia riders, as well as more frequent service and more capacity to the Mall for riders in D.C. and Prince George's County."

According to NBC4, "a special shuttle train will operate between National Airport and Arlington Cemetery."

Metro says it will be doing plenty of outreach before the November 11 event, including setting up a special web page and printing brochures. Extra service is expected to cost more than $500,000, which will be paid for by HBO and Starbucks.

The concert will also be livestreamed.

Source: http://dcist.com/2014/10/the_blue_line_wil...

'Dating' vs. 'Married': How Text Messages Change Over Time

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So many loves start with a "hey." A tentative "hey." A hopeful "hey." And more often than ever that "hey" is not spoken, but sent through a text message.

That first "hey," if all goes well, is returned; from there, the "hey" becomes a plan to get together. Which becomes another plan to get together.And then more plans, and then more plans, until making plans becomes redundant. 

In October of 2009, Alice Zhao's boyfriend gave her a gift to celebrate the one-year anniversary of their first date: a Word document containing all of the text messages they'd exchanged during the previous year. He called his present, awesomely, #thegiftofdata. This October, to commemorate their sixth year together, Zhao took that Word doc and expanded it. She took the texts from their first year together and then compared them to another set of data she'd gathered: texts from their sixth year—a year that saw the two transitioning from engaged to newlywed. 

What Zhao found was, if not scientifically rigorous, then romantically revealing. 

First, she compared some of the most commonly-used terms in the couple's text messages—"love," "ok," "dinner," and, yes, "hey"—looking at their distribution in year one versus year six.

As Zhao notes, the relative distribution of those terms loosely tracks the comfort that set in as the pair shifted their interactions from on-phone to in-person. "Our conversations changed from 'hey, what’s up?' to 'ok, sounds good,'" she writes in a blog post explaining the project. "We stopped saying each other’s names in our text messages. We don’t say in 'love' as much anymore."

Names, too, became extra-superfluous as the pair settled into coupledom.

What didn't much change in frequency were references to two things that are constant no matter your relationship status: "home" and "dinner." For the couple, those terms simply appeared in different contexts in year six than they had in year one. "Home" became a reference to the couple's shared home. "Dinner" became less a matter of if and more one of whenand how.

What also changed were the times of day that were peak messaging times for the couple. When they were first dating, the bulk of the messages were sent in the late afternoon and evening, and also between midnight and 3 a.m. During the period of their engagement, though, things were largely reversed: The bulk of their messages were sent during the day and, to a lesser extent, into the evening. After their wedding, the texts were even more limited to the daytime hours: They texted each while at work, but almost never at other times.

 

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Or, as Zhao decodes it:

 

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Overall, the changes as Zhao sums it up: 

As a new couple, since we were apart the majority of the time, we had to check in with the other person every now and then, especially during the evening and late at night when we had no idea who they were with! It was also to tell the other person that we were out late doing something cool without them… and wishing they were there, of course.

As a committed couple, the only time of the day that we aren’t together is during the workday, so that’s when we text. We know exactly where the other person is each evening and if we’re doing something cool, it’s likely that we’re in it together and telling each other about it face to face.

As for one of the biggest surprises in the data, the decline of the word "love" as the relationship progresses? "Our text messages became more predictable, but only because all of the unpredictable things were said in person," Zhao explains. "We no longer have to text 'I love you' from a distance in the middle of the night. I can now roll over, snuggle with my husband and whisper it into his ear."

Source: http://m.theatlantic.com/technology/archiv...

Oscar de la Renta, legendary designer, dead at 82

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NEW YORK (AP) — At his Fashion Week runway show in September, Oscar de la Renta sat in his usual spot: in a chair right inside the wings, where he could carefully inspect each model just as she was about to emerge in one of his sumptuous, impeccably constructed designs.

At the end of the show, the legendary designer himself emerged, supported by two of his models. He didn't walk on his own, and didn't go far, but he was beaming from ear to ear. He gave each model a peck on the cheek, and then returned to the wings, where models and staff could be heard cheering him enthusiastically.

De la Renta, who dressed first ladies, socialites and Hollywood stars for more than four decades, died Monday evening at his Connecticut home at age 82, only six weeks after that runway show. But not before another high-profile honor was bestowed on him: The most famous bride in the world, Amal Alamuddin, wore a custom, off-the-shoulder de la Renta gown to wed George Clooney in Venice. Photos of the smiling designer perched on a table at the dress fitting appeared in Vogue.

De la Renta died surrounded by family, friends and "more than a few dogs," according to a handwritten statement signed by his stepdaughter Eliza Reed Bolen and her husband, Alex Bolen. The statement did not specify a cause of death, but de la Renta had spoken in the past of having cancer.

"While our hearts are broken by the idea of life without Oscar, he is still very much with us. Oscar's hard work, his intelligence and his love of life are at the heart of our company," the statement said. "All that we have done, and all that we will do, is informed by his values and his spirit."

The late '60s and early '70s were a defining moment in U.S. fashion as New York-based designers carved out a look of their own that was finally taken seriously by Europeans. De la Renta and his peers, including the late Bill Blass, Halston and Geoffrey Beene, defined American style — and their influence is still spotted today.

De la Renta's specialty was eveningwear, though he also was known for chic daytime suits favored by the women who would gather at the Four Seasons or Le Cirque at lunchtime. His signature looks were voluminous skirts, exquisite embroideries and rich colors.

Earlier this month, first lady Michelle Obama notably wore a de la Renta dress for the first time. De la Renta had criticized her several years earlier for not wearing an American label to a state dinner in 2011.

Among Obama's predecessors favoring de la Renta were Laura Bush, who wore an icy blue gown by de la Renta to the 2005 inaugural ball, and Hillary Rodham Clinton, who wore a gold de la Renta in 1997.

"We will miss Oscar's generous and warm personality, his charm, and his wonderful talents." Bush said in a statement. "My daughters and I have many fond memories of visits with Oscar, who designed our favorite clothes, including Jenna's wedding dress. We will always remember him as the man who made women look and feel beautiful."

Source: http://news.yahoo.com/oscar-la-renta-legen...

New DC Restaurant to Charge For "Artisanal" Ice Cubes

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New restaurant in Washington DC has declared they're going to charge for artisanal ice cubes. 

Second State, a restaurant that opens tomorrow in downtown DC,* is planning on charging $1 for their artisanal ice cubes. 

"It's worth it," says bar manager Phil Clark. "When it goes into a cocktail, it's crystal clear. It's purified water, so there's no minerally taste."

Second State is apparently Pennsylvania-themed (hence the name). 

 

Note: heavily edited for work safe read, better more entertaining NSFW post is sourced from Jezebel HERE

Source: http://kitchenette.jezebel.com/new-restaur...

San Francisco Gets a break from Lorde hit 'Royals' until World Series concludes

Go GIANTS!

The World Series is pretty serious business, in case you haven't heard. With the 2014 version now a little more than 72 hours away, it's time for fans of the Kansas City Royals and San Francisco Giants to eliminate any possible distractions and zone in on what lies ahead.

Among many other odd things we're sure, that process apparently includes asking local radio stations to ban any song that even remotely references the other team from airing. Or at least that's the approach fans in San Francisco are taking, and both KFOG and 96.5 KOIT are going to help them out. The radio stations announced this week that they are removing Lorde's hit "Royals" from the playlist until the World Series ends.

Not long after the song first appeared on the U.S. charts, the 17-year-old pop star from New Zealand admitted she drew inspiration from the Kansas City baseball team when writing the song. So the ban isn't just about avoiding the word Royals, it's about that connection.

With the request granted, "Royals" will be off the air on both stations for at least the next week. Of course, that's probably subject to change based on the Series outcome. If the Royals win, we should probably anticipate that ban being extended awhile. If the Giants win, expect it to return full force, and perhaps even in parody form with a Giants' twist.

Meanwhile, in Kansas City, the only version of the song that matters right now is this terrific parody by John Long.


Source: http://sports.yahoo.com/blogs/mlb-big-leag...

Vegetables: Are they the new bacon? José Andrés and other chefs think so.

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Never mind that his latest restaurant, the over-the-top Bazaar­ Meat in Las Vegas, is a temple to suckling pig and foie gras.

José Andrés would like you to consider, for a moment, the vegetable.

Settled into a corner table of his Penn Quarter hot spot Jaleo, the small-plates king is animatedly spooning broccoli, carrots and snap peas into a surprisingly big bowl. In go rice, crunchy fried grains, a smoky sauce familiar to anyone who has eaten his Spanish cuisine. All the while, he is chomping on the vegetables with the zeal of a hungry dinner-party guest at the crudités spread.

This show — the carrots, the bowl, the talk about Chipotle founder Steve Ells — it’s all abstraction, the chef’s way of making a point about food: It does not have to be precious to be delicious.

Early next year, Andrés will join the constellation of famous chefs across the country who are launching fast-casual restaurants. Well aware of the landscape of fast-casuals around him in Washington, he’s staking out terrain that can be his alone: He will open a fast-food eatery that is vegetable-focused. And then, if all goes well, perhaps he will open a hundred more.

The first location of the cheekily named Beefsteak (after the tomato variety) will open on the campus of George Washington University, where Andrés created a course on food and serves as an adviser on food initiatives. He has been testing dishes with his staff for months.

“I’d prefer to have the army of great chefs we have in America opening multiple restaurants,” he says. “More than the McDonald’s and Burger Kings of the world opening restaurants.”

But hamburgers — frozen ones, flattened ones, even ones that are inexplicably dyed black — are an almost embarrassingly easy sell. There are legions who would declare themselves unable to stomach a broccoli floret.

Andrés protests. “A so-so vegetable, boil it in water, add some salt, it’s delicious,” he says. This is the gist of his Beefsteak pitch: “We don’t like to call it vegetarian. We want to call it tasty, fun, sexy, good-looking.”

After a solid 10 years of pork-belly-everything­ and burgers so obscenely decked out (and priced) that they teeter on the pornographic, several chefs around the world have joined Andrés in singing the praises of salsify and beets, chard and sorrel. It’s less like they’re describing the next food movement, and more like they’ve undergone a full-on religious conversion. Alice Waters, perhaps the original vegetable evangelist, must be proud.

René Redzepi, the avant-gardist in the kitchen at Copenhagen’s Noma restaurant, is waxing poetic about the virtues of a limp old carrot. Mario Batali is embracing Meatless Mondays, and Eataly, his chain of mammoth Italian marketplaces-slash-mess halls, is ushering diners into the seats of its own vegetable-driven restaurant, where the chalkboard menu describes not specials but “today’s harvest.” In Los Angeles, Kogi food-truck baron Roy Choi has just delivered Commissary, a “vegetable-focused” (but, again, not vegetarian) restaurant. Choi wrote on his Instagram feed that he was “trying to make vegetable[s] relevant to a new generation by just making them fun.” Taking its soil-to-small-plate aesthetic to its most literal end, Commissary has diners eating in a greenhouse.

It’s not the first time Andrés has proselytized on the subject. In 2010, he memorably told “60 Minutes” correspondent Anderson Cooper that vegetables and fruits not only were the future, but also were “sexier than a piece of chicken.”

But in the case of most of these restaurants, including Beefsteak, to be vegetable-focused is not to break up with the chicken, frumpy though it might be. Rather, chefs such as Andrés imagine a world in which portions of old-fashioned proteins are negligible, perhaps even shoved off to the side like last decade’s broccoli. He suggests that Beefsteak will take a cue from the Chipotle model and emphasize diner empowerment. If a customer wants more cauliflower, he says, they will get it. But meat? “It’s a side dish,” he says.

“Vegetables are moving from the side of the plate to the center of the plate,” says chef Richard Landau of Philadelphia “vegetable restaurant” Vedge. Before opening the restaurant in 2011, he ran a place that was vocal about its vegan-ness; Vedge, like many of the nation’s vegetable-focused restaurants, carefully sidesteps that description. “We shun the word ‘vegan’ because it comes with a lot of preconceived notions,” Landau says. “They think there’s a bunch of stoned hippies back there listening to the Grateful Dead, stirring vegan chili and kale salads.”

This year, Landau, who says he spent his early days as a vegan chef apologizing for what he wasn’t serving, found himself a semifinalist for the James Beard Award for Best Chef: Mid-Atlantic, alongside such (meat-cooking) colleagues as Spike Gjerde of Baltimore’s Woodberry Kitchen and Cedric Maupillier of Mintwood Place in the District; his wife, Kate Jacoby, made the semifinalist list in the pastry category. This month, the couple will open a second, street-food-themed vegan restaurant, V Street, which, Landau says, they eventually would like to replicate in Washington.

This is not to say that vegetable-focused­ restaurants do not face a challenging learning curve with diners. Many of these chefs are making vegetables feel new with what we might call “the meat treatment.” Who can forget how quickly the nation changed its mind about Brussels sprouts (which we boiled, with nightmarish results, as recently as the 1990s) once we learned how glorious they could be when blackened, roasted or straight-up fried?

So, Vedge offers salt-baked kohlrabi with pho-spiced rice, while Table in Shaw serves cauliflower “steak” draped in hazelnut butter. At New York’s Dirt Candy, which had been so perennially booked up in its East Village digs that it is relocating to a space six times its current size, one of the most beloved dishes is a mousse that looks remarkably like foie gras. It is made from portobello mushrooms.

Dirt Candy’s owner and chef, Amanda Cohen, says that using techniques such as smoking and grilling is about recognizing “the flavors people like to eat and applying them to vegetables.”

“We’re not trying to have a mock meat. We’re not trying to mimic meat,” she says. “It’s its own cuisine, and it’s really coming into its own right now.”

Still, it remains difficult to convince diners that vegetables are much more than a salad or a side dish. Earlier generations saw vegetables as a kind of peasant food, a cheap way to fill a plate when meat was expensive. Eataly’s vegetable-focused Le Verdure “was a tough concept in the beginning because people thought you couldn’t make a meal out of vegetables,” says Alex Pilas, executive chef for Eataly USA. Even now, he says, the restaurant, which has been replicated at every Eataly location, does much of its business at lunch, when diners are in search of lighter meals.

And there is one more challenge: Many of the heartier vegetables that can add substance to a meal — the carrotlike salsify, rutabaga and sunchoke — are still relatively unfamiliar to diners, even those who frequent farmers markets and gourmet grocers.

To do the prep work for Le Verdure, and to prod along greens-averse customers, Eataly introduced the “vegetable butcher.” It’s a head-scratcher of a job title but based on a sound idea: To encourage shoppers to explore the produce aisles, the market offers to clean and slice and even advise customers on how to use watermelon radish, artichoke and even the mysterious sea bean.

Frederik De Pue, executive chef and owner of Table and Menu MBK, says restaurants can teach, too.

“People go to restaurants to discover things,” says De Pue. “They leave it up to the chef to make them discover new preparations. So that’s why, as chefs, we need to grab that, and use the celery root. People say, ‘I’ve never had that. Wow.’ ”

Andrés occasionally allows that the idea of a fast-casual vegetable restaurant is a wild one. But he says, “I believe this is needed.

“When we opened Jaleo, many people told me 20 years ago, ‘Tapas, it’s not going to make it. People in Washington like big portions, people are more conservative, people don’t like to share.’ ”

Sometimes, he says confidently, the public doesn’t know what it’s craving. It is the chef who points the way.

Source: http://www.washingtonpost.com/lifestyle/fo...

Air Umbrella Creates "Force Field" That Keeps You Dry

 

 

Rainy days typically mean lugging around a soggy, wet umbrella - but that might not always be the case. Air Umbrella, which was developed by a company in China with the same name, uses forced air, not fabric, to make a canopy that keeps the raindrops from falling on your head. Once you have arrived at your destination, you can place the dry device in your bag until you’re ready to go out again.

The Air Umbrella sort of looks like a large flashlight. The head has a motor and fan that forces the air up and out, creating a shield from the rain. The umbrella’s shaft is a rechargeable lithium ion battery. At the base, a simple button serves as the on/off switch. Additionally, there is a controller dial that changes the size of the air canopy. It can be expanded to over a meter in diameter, making enough room for two people to be protected from the rain.

The umbrella has been tested in heavy rainfall conditions and seems to perform quite well. The company reports that the sound of the rain typically drowns out the sound of the umbrella. They report that the air pushes water droplets up to 70 centimeters (27.5 inches) away. Changing the way the umbrella is held should also address rain coming down diagonally. While the Air Umbrella is capable of deflecting light wind, extremely heavy wind can cut through the air canopy. However, as the manufacturers observe, even normal umbrellas aren’t really great under those circumstances either. 

If you want to be among the first to get your hands on this product, it is currently available through a Kickstarter campaign. The campaign has raised nearly $35,000, which far exceeds the $10,000 goal over a week ahead of the October 24th deadline. As of the time of this writing, the most inexpensive option is $118, but those are selling quickly.

There are currently three models in development, dubbed A, B, and C, each with different features to meet various needs. The A model is 30 cm (12 in) in length, weighing in at 500 grams (1.1 pounds) and can run for 15 minutes per charge. The B model is longer at 50 cm (19.8 in) long and 800 g (1.7 lbs), lasting 30 minutes per charge. The C model also lasts 30 minutes, weighs in at 850 g (1.9 lbs), but can be scaled anywhere from 50-80 cm (19.8-31.5 in).

The company admits that the battery life is fairly short but they hope to improve the umbrella design over the next 10 months using the money raised from the Kickstarter campaign. Additionally, they will address the design and practicality, making whatever adjustments necessary. Production of the improved devices will begin in September 2015, and all Kickstarter backers are expected to receive their Air Umbrellas before December 31, 2015.

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Source: http://www.iflscience.com/technology/air-u...

Two Swedes Develop Invisible Bike Helmet

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With bikes becoming increasingly more popular as people begin to steer away from cars and into cleaner and healthier options, a fresh new idea has come onto the scene with regards to safety. Out with the old and in with the new declares the invisible bike helmet.

Imagine getting on a bike and not having to wear anything on your head, yet your head is protected. Immediately you are probably thinking you must be in some sort of bubble while riding the bike, but this isn’t the case. Take a moment and look at the picture above, can you figure out how this works before reading on?

I can say for myself, I didn’t always find it comfortable to wear a helmet when riding a bike, and there is some sort of freedom you lose once you are wearing one. Don’t get me wrong, I feel bike helmets are necessary for safety especially in cities where you battle for the road with other cars. I just feel that they may not always be the best and most practical solution. This is why I’m very intrigued by what this pair of daring Swedish women have come up with.

Anna Haupt and Terese Alsti have created the worlds first invisible bike helmet. It’s called the Hövding helmet. You truly have to see it it believe it.. hehe. I already know what you are still thinking since you first clicked this article and looked at the image, “..the heck is the helmet??” I said the same thing. It wasn’t until I watched the video below that I realized exactly how this works and I was very impressed by it all.

The clever pair of inventors studied bicycle accidents one after another and finally came up with a mind bending solution that uses many familiar technologies but in a very creative way. The clever thought that has gone into this project is truly unique. The Hövding helmet works in a way not many would imagine it to and although it is tempting to describe in complete detail how it works, the video truly does a great job of bringing it all together in a suspenseful manner.

This is your last chance to figure out how this thing works before watching the video, any ideas? If not, click play below and enjoy the world of creativity and innovation. Feel free to share your thoughts in the comments. Did you figure it out before watching the video? What do you think of the design?

Source: http://www.collective-evolution.com/2013/1...

The Simpsons’ Springfield Illustrated As A Deadbeat Town

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Austin-based illustrator and print-maker Tim Doyle first started creating these dark and dismal Simpsons-themed artworks as part of his first UnReal Estate gallery show for Spoke Art in 2012.

His UnReal Estate series re-imagines iconic locations found in the fictional worlds of well-known television shows (including – d’oh! – Springfield, the town where the Simpsons live) and films in pop culture. Since then, Doyle has continued the series with more works for his subsequent 2013 and 2014 editions of UnReal Estate, and all three shows were sold out! Doyle’s dark and disturbing vision shows a derelict Springfield, devoid of life and fallen onto hard times. The eerily post-apocalyptic mood of these works is pretty glorious.

 

More info: mrdoyle.com via Bored Panda

 

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