Thievery Corporation:Saudade

 

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Thievery Corporation: Saudade

Every language has words and phrases that elude easy translation. In Portuguese, "saudade" (pronounced by Brazilians as "sow-DAH-djee") is one of those. Some musicians equate it with the blues; it's generally associated with melancholy and longing. In its most recent bio, the Washington, D.C., electronic duo Thievery Corporation defines it as "a longing for something or someone that is lost."

Though countless songs have "saudade" in the title, the condition of saudade isn't usually conveyed through words. It's evoked. Its wistfulness radiates through every element of the music — from the sound Joao Gilberto makes humming that iconic introduction to "The Girl From Ipanema" to the yearning melody itself to the precise chop of the rhythm guitar behind the voice. You can't just order up saudade. There's no setting for it on a drum machine; no software emulation available. It comes seeping through the music, between the notes, as delicate and evanescent as a May breeze.

Thievery Corporation's Eric Hilton and Rob Garza offer a vibey, transfixingly contemporary take on saudade with Saudade, their seventh full-length album. Since 1996's Songs From the Thievery Hi-Fi, which was dedicated to composer Antonio Carlos Jobim, Thievery has explored every square foot of the intersection where bossa nova and electronic sample manipulation meet. The duo has been praised for its sleek acid-jazz dream sequences and frenetic rhythm programming. It's delivered thick instrumental collages dotted with random curio-drawer samples, and also original songs that emphasize live vocals. (The 2000 gem Mirror Conspiracy includes a cameo by the similarly inclined Bebel Gilberto.) The new work is quite possibly the most traditional Thievery release yet: Most of its 13 songs are tightly structured verse-chorus endeavors, with contemplative vocals set against sophisticated chord sequences and minimal acoustic-electric backdrops. In contrast to what often grabs attention in electronic dance music, it's calm, serene, uncluttered and defiantly warm.

As on previous efforts, the settings are inviting and sumptuous. Thievery Corporation understands that the sway of Brazilian rhythm is most seductive when it has room to breathe; on many of these tracks, the beats are efficient and businesslike, a mode of transport that never calls attention to itself. This allows the stone-simple melody of "Decollage," one of several tracks featuring the entrancing singer LouLou Ghelichkhani, to simply drift along as if it's floating through clouds. Other tracks, particularly the moody "Sola in Citta" (sung in Italian) and the filmic "Le Coeur" (in French), are deeply textured tone poems on the theme of sensuality; they conjure lazy afternoons in bed, or stolen moments of romance in the jet-set international enclaves of a bygone era.

Lounge exotica often devolves into cliché, but not here: Among the messages of Saudade is that the aura of classic bossa nova, circa Astrud Gilberto, shares aesthetic affinities with the pathos of Edith Piaf, the anguish of Cuban bolero, the pillow-talking maneuvers of Serge Gainsbourg — traits that, if handled with sensitivity, can be recombined and re-contextualized in illuminating ways. Where many others treat Brazilian music as a stereotype (generic beach music or foreplay accompaniment), Thievery regards it as something fundamental: a global unifier, an essence that can signify nuanced emotions whether the words are in Portuguese, French, Italian, Spanish or English (all languages represented here). Brazilians talk about saudade as a mood that just comes along and takes over one's emotional landscape, with waves of cascading disappointment melting into wistful, brokenhearted reflection. It's one of those things you feel first, and ponder its component parts later. That can be extremely difficult to translate into music, but Thievery Corporation does just that on Saudade.

-Tom Moon, NPR

Track List:

1. Décollage (feat. Lou Lou Ghelichkhani)

2. Meu Nego (feat. Karina Zeviani)

3. Quem Me Leva (feat. Elin Melgarejo)

4. Firelight (feat. Lou Lou Ghelichkhani)

5. Sola In Citta (feat. Elin Melgarejo)

6. No More Disguise (feat. Lou Lou Ghelichkhani)

7. Saudade

8. Claridad (feat. Natalia Clavier)

9. Nos Dois (feat. Karina Zeviani)

10. Le Ceour (feat. Lou Lou Ghelichkhani)

11. Para Sempre (feat. Elin Melgarejo)

12. Bateau Rouge (feat. Lou Lou Ghelichkhani

13. Depth Of My Soul (feat. Shana Halligan)


Barrack's Row Entertainment Group File for Chapter 11, Hawk n' Dove included.

Legendary Capitol Hill Bar Hawk ‘n’ Dove Files for Bankruptcy

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Legendary Capitol Hill Bar Hawk ‘n’ Dove Files for Bankruptcy

The owner of a handful of popular Washington D.C. bars and restaurants—including legendary Capitol Hill watering hole Hawk ‘n’ Dove—filed for bankruptcy protection Friday.

Baltimore-based Barrack’s Row Entertainment filed for Chapter 11 protection in U.S. Bankruptcy Court in Washington D.C., putting eating spots like Hawk ‘n’ Dove, Senart’s Oyster House and The Chesapeake Room into protection with it.

Barrack’s Row, which is owned by a group of investors, said  it has between $1 million and $10 million in debt. The company’s bankruptcy lawyer couldn’t be reached after 5 p.m. on Friday, and Manager Richard Cervera who signed the bankruptcy petition couldn’t be reached at two of the restaurants.

It’s unclear what prompted the filing, but given D.C.’s high journalist-per-capita ratio, we expect the details won’t be secret for long.

Here’s what we do know from court papers: the company said it picked bankruptcy lawyers to help it negotiate borrowing agreements and to access cash that would be otherwise unavailable without Chapter 11 protection.

Hiring bankruptcy lawyers “will allow the [companies] to reorganize their affairs with as little disruption to their ordinary course of business as possible,” the company said in court papers.

The investors also put into bankruptcy the yet-to-be opened Willie’s Brew and ‘Que, a barbeque-themed sports bar in the historic Boilermaker building. The other restaurants that filed are Park Tavern, Boxcar Tavern, Lola’s Barracks Bar & Grill, Molly Malone’s and Pacifico Cantina.

As D.C. Hill staffers know, Hawk ‘n’ Dove was closed for an eternity for renovations. But even after it reopened, the Washington Post said in an article last year that bar was still searching for an identity:

Even stranger, months after reopening the Hawk & Dove as an upscale sports bar, Richard Cervera apparently decided to hire a fine-dining chef who would perform the gastronomic equivalent of a Hail Mary pass: Convert the burger-and-wings crowd into foie gras eaters.

http://m.us.wsj.com/articles/BL-BANKB-19536

 

Wu-Tang Clan to Release 1 Copy of Secretly Recorded Album

'Once Upon a Time in Shaolin' will be locked in an engraved vault created in the Moroccan mountains

While the fate of Wu-Tang Clan's 20th anniversary album A Better Tomorrow hangs in limboRZA just revealed the hip hop collective recorded an entirely different double-album that's ready to meet the world.

That is, if the world is willing to pay.

Over the last few years, Wu-Tang Clan secretly recorded 31 songs for the 128-minute album Once Upon a Time In Shaolin. Wu-Tang mad genius RZA recently revealed the album's existence to Forbes and his diabolical plan to release only one copy of it. Ever.

“We’re about to sell an album like nobody else sold it before,” RZA told Forbes.  "We’re about to put out a piece of art like nobody else has done in the history of music. We’re making a single-sale collector’s item. This is like somebody having the scepter of an Egyptian king.”

Befitting its one-of-a-kind status, Once Upon a Time in Shaolin won't come in a jewel case or cardboard sleeve. The album will be housed in an engraved box (pictured above) that was handcrafted at the foot of the Moroccan Atlas Mountains.

Given its mythic backstory and the fact that it could go for hundreds of thousands, if not millions, we're voting Quentin Tarantino as the person most-likely to purchase this hip hop Holy Grail.

As for those of us accustomed to paying approximately a dollar per song, there's a much cheaper option for at least hearing Once Upon a Time in Shaolin. The musical tome will tour museums and galleries across the country as a piece of priceless art, with venues charging $30-50 for admission and permitting each ticket holder one listen to the two-hour LP.

"One leak of this thing nullifies the entire concept," said producer Tarik “Cilvaringz” Azzougar, who oversaw most of this new album. So expect TSA-style security checks at any venue housing Once Upon a Time in Shaolin to prevent pirates from leaking the album.

As for what happens when the sole physical copy of the album sells, well, that's anybody's guess what's next. Will the buyer hide it away forever, generously share it with the world or just use it as a hipster bragging point for the rest of their life?

VIA Fuse

Is Kanye West a vampire? The Internet has more fun w/ April Fools Vogue

April Fools Vogue Cover keeps giving and giving.....

Is Kanye West a vampire? The Twitterverse certainly thinks so. BuzzFeed editor Katherine Miller was one of the first to notice that a photo from Vogue’s spread on West, Kim Kardashian and baby North seemed to show that the rapper has no reflection.

n the photo, Kardashian and her baby are standing in front of a mirror taking a selfie with her iPhone. West stands in front of them, taking another photo of the pair with his iPad. The problem is, the entire family seems to vanish in the mirror. It’s plausible that Kardashian is blocking her own reflection, but then what happened to West, and what’s more, the photographer?

Moreover, as many eagle-eyed commenters on Jezebel pointed out, the photo on West’s iPad doesn’t even match the angle from where he’s standing, and it’s unlikely the photo of the screen would be that sharp. It’s clear that there has been some heavy photo-editing on the photo, which led a few users on Twitter to make their own amendments.

 Via Metro

The Family Tree of DOGS

Have you ever wondered how tiny chihuahua can be related to a rottweiler or a pit bull terrier can be similar to a dalmatian?

One artist has created a dog family tree that highlights the diversity of dogs and how breeds are interconnected.

From terriers to toys and mountain dogs to sight hounds, it delineates almost every standard pure-breed dog so you can see how one canine is connected to another.

For example, the chart shows that a chihuahua – the smallest breed of dog that heralds from Mexico – can be easily linked to rottweilers, which are popularly known to make good – and sometimes ferocious – guard dogs.

According to the chart, chihuahuas are part of the toy group and are closely related to toy pinchers, which are in turn linked to pinchers and then common guard dogs such as the rotweiller.

In the similar way, the giant saint bernard is related to the little pug via the working dogs group, then common guard dogs group, followed by the pincher and toy pincer groups, which then link to the 'toy' dogs of which the pug is a member.

It might seem incredible that dogs with such different visible characteristics – from their size to their type of hair – can be so different, but it is because all dogs are members of the same species – Canis lupus familiaris.

Their genetic code is relatively simple compared to other species and is therefore easily adaptable as drastic changes - such as the type of hair or ears – is controlled by a single genetic variation.

The family tree makes it easy to see which dogs belong to the same ‘family’ groups. For instance, groups of dogs such as setters, pointers, spaniels and retrievers belong to the ‘sporting dogs’ group, as well as individual breeds including the vizsla and wirehaired pointing griffon.

Dalmatians are relatively closely related to a number of unlikely breeds. According to the chart, the spotty dogs are closely linked to the diminutive French bulldog and candy-floss like bichon frise.

The ‘diagram of dogs’ is for sale as a limited edition print and Pop Chart Lab, the company selling it, said: ‘Dog lovers of every preference are sure to spot their favourite canine compadre in this pedigreed presentation of man's best friends - a taxonomical treat that's best in show.’

According to a study published earlier this year, dogs and wolves evolved from a common ancestor between 11,000 and 34,000 years ago

U.S. scientists said that part of the genetic overlap observed between some modern dogs and wolves is the result of interbreeding after dog domestication and not a direct line of descent from one group of wolves.

They believe their research reflects a more complicated history than the popular story that early farmers adopted a few docile, friendly wolves that later became our modern canine companions.

Instead, the earliest dogs may have first lived among hunter-gatherer societies and adapted to agricultural life later, according to the study.

Researchers from the University of Chicago said that dogs are more closely related to each other than to wolves, regardless of geographic origin as they do not descend from a single line of wolves.

VIA Daily Mail